Hampshire Maps

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£1100 John Speed c.1611 Ref: 6154mgw
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Size guide - reference image
52x39 cm

HANTSHIRE | described and devided.
Jodocus Hondius celavit
Performed by Iohn Speede and are to be sold in Popes | head alley by I. Sudbury and G. Humbell. Cum Privilegio.

John Speed (1552-1629), born in Cheshire, was a Tailor, becoming a member of the Worshipful Company of Merchant Taylors in 1580. He became interested in History and antiquities and became a member of the Society of Antiquaries and friend of William Camden. In 1611 he published his History of Great Britaine followed by his Theatre of the Empire of Great Britaine the following year. The Theatre was designed as the topographical section to his History and the inclusion of county maps with inset town plans has ensured Speed's name will be remembered. The maps were designed and engraved by Jodocus Hondius in Amsterdam from materials and instructions sent to him by Speed. Speed's main cartographical contribution was the town plans, Speed claiming authorship to those that include a scale of paces "by mine owne travails".  The county maps are based on the surveys of Christopher Saxton and John Norden. The inclusion of the internal administrative divisions of the counties was a new innovation by Speed perpetuated in most county maps that followed for the next 300 years. The descriptive text on the back of the maps is taken from Camden and as the text had to be re-set for each issue enables us to date an individual map. On 29th April 1608 George Humble obtained the rights to print and sell the atlas for 21 years but publication did not actually start until 1611. Publication of John Speed's maps continued by various publishers until at least 1770, a publication period of 160 years.
From the first edition published by Sudbury and Humble in 1612, dated 1611, with the initial letter used by Printers William Hall and James Beale verso. 
Old repair to bottom centrefold split extending to Hampshire coast but with no other damage or repairs, good margins all round, a strong dark impression on heavy paper in fine later hand colour, it remains a fine example.


 

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